You can work with 2-dimensional footage and layers in a more 3D space. It’s basically designed to create and work with motion graphics. With so many tools to choose from, the question looms: What can you do with Adobe After Effects?

(many designers will find that they actually use both After Effects and Premiere Pro for many tasks that involve video or motion graphics and animation). They walk you through the basics and can help you better understand how and when to use After Effects versus other Adobe software when working on video projects. The best way to get started with the tool if you aren’t already using it is with Adobe help tutorials. The Academy of Motion Picture Arts and Sciences bestowed two Scientific and Engineering Awards to Adobe After Effects and Photoshop. Like other Adobe tools, the great thing about working with After Effects is that it works seamlessly with other Adobe tools, and allows you to import and work with native files from other pieces of Adobe software, including Photoshop, Illustrator, Character Animator, Adobe XD, and Animate. It’s used by a variety of creative professionals for film, TV, and video for websites and social media. Refine Matte effect-Apply intelligent edge tracking, dechattering, and motion blurring capabilities to any layer with a problematic alpha channel, such as keyed footage.The great thing about working with After Effects is that it works seamlessly with other Adobe tools.Color LUT support-Get consistent color in your workflow by using industry-standard 3DL and CUBE lookup tables.Auto-Keyframe mode-Animate quickly by setting starting keyframes automatically.The powerful mocha shape plug-in is also included. mocha for After Effects v2-Apply motion tracking to hand-drawn masks and import variable-width mask feathers.Digieffects FreeForm-Turn flat objects into virtually any 3D shape using this popular 3D mesh warp plug-in.

Color Finesse-Enjoy an enhanced color correction workflow with the new features, finer control over hue and saturation, and ability to export settings as color lookup tables (LUTs) in Color Finesse LE 3.

Dozens of enhancements-Benefit from dozens of customer-requested refinements that yield big productivity gains - such as the ability to align layers to comps.

Take advantage of improved support for RED R3D formats, and gain additional controls for working with raw footage.

AVC-Intra and enhanced RED support-Work natively with tapeless footage from the newest high-quality Panasonic cameras thanks to AVC-Intra 50 and AVC-Intra 100 support.

Roto Brush-Isolate foreground elements from backgrounds in a fraction of the time it would otherwise take using this revolutionary new tool.

View a list of 64-bit third-party plug-ins.

Native 64-bit OS support-Work fluidly on high-resolution projects - even at 32-bit-per-channel color inside HD, 2K, and 4K compositions.

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